Saturday, 31 August 2013

7th Doctor Audio Overview (2 of 7)

 Audios

Main Range
·         The Harvest
·         Dreamtime
·         Live 34
·         Night Thoughts
·         The Settling
·         No Man’s Land
·         Nocturne
·         The Dark Husband
·         Forty-Five

Meet Hex – full name Thomas Hector Schofield, he was working as a nurse at St Gart’s Hospital when he bumped into the Doctor and McShane. This is the part where I tell you that there’s nothing special about Hex (he realised that the middle name ‘Hector’ did him no favours back in school), that until he met the Doctor and Ace he was perfectly ordinary, and from his perspective, that would, to an extent, be true. But there’s something about Hex that makes him special that he doesn’t know. Something the Doctor is keeping secret from him.

It seems to be a bad habit of the Seventh Doctor’s, meeting companions that he immediately keeps secrets from. First when he met Ace, he later admitted he knew or at least strongly suspected right then that Fenric was the reason why she ended up on another planet, that she had Fenric’s curse, but he never told her, right up until he broke her faith in him. It almost destroyed the relationship between the two. Now? It’s interesting to note in these audios that not only has Ace noticeably grown up and matured, but she’s clearly learned a lot from the Doctor. That’s one thing that’s great about introducing a new companion like Hex into the mix – really seeing how much she’s generally become used to the TARDIS life. More than that – she’s become used to the Doctor, even grown fond of him. Now in some cases, this could be just considered rather sweet in a Doctor/companion relationship. But there’s an element to it that’s also slightly worrying. Because the Doctor is not the man he once was, nor the man he’s going to be. He’s not so upfront with his companions in this incarnation. He’s a man who likes his secrets, who is always keen to state that he may not know things but he “has his suspicions”, and these secrets sometimes gets his friends in danger. Sometimes, they’re worse than that. They’re important facts that his friends have a right to know, secrets he likes to keep to himself for a very long time…

Hex, on the other hand, at least questions the Doctor’s methods from time to time. While Ace simply complains and practically jokes about how the Doctor is always deliberately landing them in trouble, Hex will, from time to time, question him and his motives. (And oh boy, does he have a very good reason for that.) This is why the Doctor-Ace-Hex dynamic is so excellent to listen to. Hex isn’t actively against the Doctor, but it’s nice that while one companion will not only be defensive but also joke of the Doctor’s behaviour, the other will, quite rightly, from time to time at least question it.

So, after listening to Hex’s first 9 stories in the main range, what were the highlights?

The Harvest
Hex’s introduction story is a great listen. The way the companion is introduced to the TARDIS especially has a very modern feel to it, which considering this was released a year before the TV series came back, is very impressive. Dan Abnett – an excellent science fiction writer that I’m always keen to read or hear more of – writes the whole team really well here, especially Hex, who’s very much grounded in an almost but not quite (it’s set in the near-future) modern day setting. Add to that a new take on one of my favourite enemies and some slight hints of what’s to come, and you’ve got a really solid introduction story for a great companion. 8/10

Live 34
This might just be the highlight of these early stories. Being a wildly different take on a Doctor Who adventure, the entire story is in the format of four instalments of a radio show for another planet, colony 34, as the Doctor, Ace and Hex investigate a corrupt political system. There’s a lot we have to piece together, as a lot of usual key elements to a Who story – open the story with the team arriving, have them slowly find out what’s going on etc. – are something we only learn about from the main characters being “interviewed”, rumours that the radio reporters here about, scraps of information that we have to piece together. I love the wildly different approach to this, but more than that – dramatically, it’s an approach that completely works. I cannot overstate how impressive that is – for a similar but far weaker approach of having a Doctor Who story told from a completely outside perspective, see Love & Monsters. Unlike a lot of fans, I don’t completely detest the story, but it’s far, far from the best it could’ve been, and Live 34 really shows just how it’s done. There’s some fantastic and absolutely thrilling drama, with one hell of a ridiculously fucking awesome climax in which the Doctor once again proves just how goddamn badass he is. Highly recommended to anyone, whether you’re a Who fan or not. 10/10

Night Thoughts
Night Thoughts is also worth a listen for its sheer creepiness factor alone. It’s interesting in that this story explores time travel and changing history in a way that I’ve never quite seen before, almost like a new spin on classic stories like the Monkey’s Paw or Pet Semetary. There’s some really grotesque and horrific imagery throughout the story – bodies found in a lake, eyes ripped out of sockets, walking embalmed dead girls – and even more disturbing ideas, as most of the main characters in the story try to make up for a terrible, terrible mistake they made ten years before by changing history. It’s also got a fantastic moment for McCoy’s Doctor (and spoilers for the story for what I’m about to describe): the Doctor trying to stop the main characters from changing history. Which sounds like an obvious goal, but in this case, the history that needed to be changed was the team killing an innocent young girl due to believing her to be suffering from a terrible disease and simply easing her pain, when all she had was an eye infection, which they only discover afterwards. A truly horrible decision, but even worse is what happens when they try to change history by sending a message back in time to warn them: only a minor change occurs. They all still have the knowledge of killing the girl, nothing major has changed for any of them in the present day…except this time, the girl is both dead and alive, a walking corpse as a result of history trying to correct itself. It’s a truly horrific idea, and a wonderfully original combination of both time travel and classic horror. Knowing the consequences, the Doctor goes back in time and tries to force them to kill the girl anyway. When they refuse, the Doctor makes the shocking decision of killing the girl himself with carbon dioxide. This was a moment that really shocked me. Even knowing what would happen, killing a young girl still seemed like a step too far for even this Doctor, an incarnation who has been more willing to do terrible things for the “greater good” to take. Could he really do it? As it happens, no, in the end, he reveals to his companions that he couldn’t go through with it. To me, that summed up McCoy’s Doctor nicely and what makes him so great: he may have shades of darkness to him, and he may try to see the “bigger picture” at times, but he is still the Doctor, still someone who wouldn’t kill an innocent life, even for the “greater good”. For that alone, Night Thoughts is well worth listening. 7/10

The Settling
This is a brilliant drama, for two reasons. One, it’s a great story that really uses its historical setting well, really examining both the kind of man Oliver Cromwell was and the lives he affected, most notably those he fought against. Secondly, Hex: this story is a really great one for putting him centre stage and really pushing him into new directions. Firstly, he’s forced to confront not just the ugly side of history, but a history that he knows about, stories of how truly terrible and awful Cromwell was as told by his nan, stories of how he slaughtered so many Irish lives. When Hex finally meets him, is he as terrible as Hex was lead to believe? Well, he’s not quite the completely inhuman monster that Hex was lead to believe, and in some ways, that makes it worse. Because Cromwell is a man of reason, who believes when it’s right to kill and when it’s right to show mercy, who really believes that what he does is right, but is open to some of Hex’s suggestions, finding him an intelligent man and engaging in lively (and more importantly, for serious male bonding, drunken) conversation. Hex wants to try and change history and make Cromwell a better man, which makes the story all the more tragic when, of course, the inevitable happens and Cromwell commits the terrible atrocities that he’s infamous for.  The feeling of knowing the inevitable is increased further in the fact that the story is told almost entirely in flashback, with Hex and Ace going over the events afterwards and trying to work out what went wrong. Even these scenes are important, as Hex begins to realise something: he loves travelling with the Doctor and the adventures, as difficult and terrible as it can be sometimes…but he’s beginning to love Ace even more. And the sad fact is that it’s clear she doesn’t feel the same way, only thinking of him as a friend. This angle of a companion feeling unrequited love for another is another reason why I love the Ace/Hex dynamic, and it’s something that’s explored or at least hinted at more in subsequent releases. In short, a fantastic release for Mr. Hex. 9/10 (One more thing: LOVE the fact that the TV movie TARDIS is “introduced” in this story. It’s another nice link between the end of the classic series and the start of the TV movie, where an older 7 is seen travelling alone in his wonderfully Gothic TARDIS. But more on that later.)

Forty-Five
A great release to celebrate 45 years of Doctor Who (at that point), this is a slightly different release in that it’s four short stories written by four different writers. What’s very impressive about this release is how consistent in quality all the stories are – all the stories are great to listen to and pack in a lot of plot and drama into 25 minutes. Particular favourites are episodes 3 and 4: the former for not only examining more of Ace’s past and mother issues but also for having Hex closer to finding out the truth, and the latter episode for just being so fucking excellent on so many levels. Seriously, The Word Lord, the only episode I had listened to before (as preparation for a later story), strongly stands up to repeat listening. That’s because of the brilliantly clever and bonkers ideas, strong characters and of course, a fantastic villain: Nobody No-One, a being from a far off dimension where the rules of physics are completely different to our own. A smart but completely insane and ruthless bastard, he might just be one of the most powerful foes the Doctor has ever faced, for one simple reason – if someone says that he can do something, he can and probably will do it, and with a name like his, that basically means he can do the impossible. In this story, stuck in a remote and cut off base, he’s not even at his most dangerous. It’s much later, in one of the greatest stories ever (and I mean ever) that we really see just how dangerous he is, and what it would take to truly stop him. And believe me, the cost is higher than you dare believe. But, again, more on that later. (Yes, I am a big fan of How I Met Your Mother. Why do you ask?) For this story, it’s an excellent one-off listen, borderline perfect for a 25-minute episode. 10/10 for The Word Lord alone.

So what do I think of the other releases from this individual run? Dreamtime was a bit too strange for me, especially for Hex’s first journey in the TARDIS. There’re some nice ideas in there, but a little too flat out weird for me. Nocturne was ok, but despite some interesting ideas, the story just didn’t grab me. I’ve also never been particularly keen on stories where the Doctor returns to one of his favourite places in the universe that he’s visited plenty of times and yet we’ve never heard of before. Sometimes it works and sometimes it doesn’t – in this case, for me personally, it didn’t quite work. Neither did much of the comedy in The Dark Husband, although there were some cool moments, including the Doctor arranging to get married, the exploration of a single race deeply divided into two, and more hints of just how much Hex really likes Ace, to put it very mildly. No Man’s Land is actually pretty good, but I didn’t enjoy it as much as the highlights in this blog. There’s some nice exploration of Hex’s past as we learn more about his life as an orphan, about how he never knew his mother, and I loved those scenes. I also loved a lot of the drama and exploration of World War I and the different reactions from the soldiers. I think for me the story felt just a bit padded at times and didn’t quite drag me in. I love World War I stories, but this took place far from the true horrors of it for it to interest me, focusing more on brainwashed soldiers being programmed to hate and obey orders, and I would’ve loved it if there was less sci-fi and more exploration of that time period. If it had explored more the horrors of war like the Settling, I think I would’ve loved it, but then, considering it came so soon after that particular story, (including a rather direct reference to it at one point,) I can understand why it didn’t quite go with that angle.

I will admit though that there was something I enjoyed about the ending – namely, the revelation of who were behind the sci-fi elements of the story. A nasty little group that the Doctor has encountered twice before, who like to use alien technology and do what they like in the name of “King and Country”. They’re known as the Forge. And the last time he encountered them, it nearly destroyed a close friendship.

In his Sixth incarnation, he travelled with Evelyn Smythe. The first time they had met the Forge, they had made friends with a young woman, Cassie Schofield. Her life was ruined however when she was infected with a virus and turned into a vampire. The Doctor promised her a cure, and so she waited…and waited…until she was finally picked up by the Forge and turned into one of their most dangerous agents. During the second time she met the Doctor and Evelyn, she was understandably pretty pissed off, but one thing got through to her. One little thing that made her decide to help the Doctor and Evelyn, even at the cost of her own life – her infant son, Tommy. Her death and the Doctor’s shockingly casual reaction to it badly shook things between the Doctor and Evelyn. Eventually, they recovered, but things were never quite the same between the two again.

Eventually Evelyn left the Doctor, fell in love and got married. She eventually reunited with the Sixth Doctor though, and after a rather taxing ordeal which endangered her life, she was recovering in hospital when a little man with a Scottish accent and umbrella appeared. It didn’t take her long to realise that he was the Doctor – from her perspective, the future Doctor, the Seventh Doctor. He decided he owed her, and told her that he had found Cassie’s son, or rather, Thomas Hector Schofield had found him. He hadn’t told Hex about his mother, but he will, in time. He just wanted to tell Evelyn to at least try to make things up to her…not realising that, by keeping such a huge secret from Hex, he’s going to do have to do the exact same thing for him ten times over.

That’s the tragedy of the Seventh Doctor – he doesn’t learn from his mistakes, but instead keeps repeating the same ones over and over. He keeps things from his closest friends because he’s so sure he knows what’s best and always ends up breaking their hearts. He knew about Ace and her relation to Fenric and never told her, and almost destroyed their friendship over it. When Hex finds out about the Doctor’s history with his mother and how he watched her die and never told him, will it finally force the Doctor to change his ways?


What do you think?

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